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Curatorial Statement 1
Experiments in Art, Access and Technology, or E.A.A.T. chronicles the emergence of access as an animating principle of art, science, and technology2. From participatory audio description to captions that evoke poetry, access is being reimagined as an expressive form that catalyzes new sensory possibilities for artistic experience. Despite their multimodal capacities, many media art tools remain inaccessible and have yet to benefit from this creative attention. E.A.A.T. introduces methods in art and technology that embody lived experiences of disability.
Invoking the field’s ethos of experimentation and collaboration, E.A.A.T. prototypes a new program that links communities, institutions, and ways of knowing through creative access. This paradigm marks a turning point in the history of the art and technology movement. In the 1960s, Leonardo, E.A.T. or Experiments in Art and Technology, LACMA’s Art and Technology Program, and others created infrastructure for artists, scientists and engineers to share knowledge. These cross-pollinations transformed then-new technologies like wireless sound transmission and Doppler sonar into artistic mediums. Emboldened by such platforms, artists redefined the social impact of new technologies.
Meesh Fradkin, Carmen Papalia, Josephine Sales, Andy Slater, and Olivia Ting premiere new work developed in Leonardo CripTech Incubator, an art and technology fellowship for disability innovation. They test the limits and affordances of media and machines, drawing attention to ableist values of functionality, usage, and navigation such devices encode. These installations foster dialogue and exploration, bringing transparency to often opaque black box systems. E.A.A.T. artists guide us through uncharted and often challenging forms of access that echo the capricious demands of technology. Opening prismatic entry points into multisensory aesthetic experiences, they prompt critical reflection on artistic spaces and for whom they are made. E.A.A.T. artists deploy access as a expressive form, a liberatory tool, and an experiential technology for sustaining community.
Artists at E.A.A.T
- babbel - Meesh Fradkin
- Pain Pals - Carmen Papalia
- Total Running Time - Josephine Sales
- Unseen Sound - Andy Slater
- Song Without Words - Olivia Ting
Gallery Archive
Pain Series 4, Carmen Papalia
Artist: EAAT Exhibition.
video (2025-03-20).
Visitor manipulates joystick interface in Unseen Sound
Artist: EAAT Exhibition.
image (2023-09-30).
Monitor showing Carmen Papalia’s Pain Series 5
Artist: EAAT Exhibition.
image (2023-09-30).
Vintage radio open at the back, Song Without Words by Olivia Ting
Artist: EAAT Exhibition.
image (2025-03-19).
Unseen Sound by Andy Slater
Artist: EAAT Exhibition.
image (2023-09-30).
Close-up of central chandelier in Meesh Fradkin’s babbel.
Artist: EAAT Exhibition.
image (2023-09-30).
Shelf 2, Pain Pals by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Day for Night - Light Changes, Josephine Sales
Artist: EAAT Exhibition.
image (2025-03-19).
Pain Series 3, Carmen Papalia
Artist: EAAT Exhibition.
video (2025-03-20).
Still from Song without Words, by Olivia Ting
Artist: EAAT Exhibition.
image (2023-09-30).
Pain Pals character gallery creator by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Microphone within the central chandelier, Babel by Meesh Fradkin
Artist: EAAT Exhibition.
image (2025-03-19).
Pain Pals Survey by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Vintage radios emitting haptic vibrations
Artist: EAAT Exhibition.
image (2023-09-30).
Weather for the Wind, Pain Pals by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Babel's access station, Meesh Fradkin
Artist: EAAT Exhibition.
image (2025-03-19).
Total Running Time by Josephine Sales
Artist: EAAT Exhibition.
image (2023-09-30).
Wide shot, Meesh Fradkin’s babbel.
Artist: EAAT Exhibition.
image (2023-09-30).
Curators at E.A.A.T
Artist: EAAT Exhibition.
image (2023-09-30).
Visitor interaction with hacked vintage radios
Artist: EAAT Exhibition.
image (2023-09-30).
Three bluetooth headphones, Song Without Words by Olivia Ting
Artist: EAAT Exhibition.
image (2025-03-19).
Virtual Walk through, Unseen Sound by Andy Slater
Artist: EAAT Exhibition.
video (2025-03-20).
Still from Song without Words. Olivia Ting
Artist: EAAT Exhibition.
image (2023-09-30).
babbling by Meesh Sara Fradkin (video 2)
Artist: EAAT Exhibition.
video (2025-03-20).
Day for Night, Josephine Sales
Artist: EAAT Exhibition.
image (2023-09-30).
Why Mask Sign and QR Code
Artist: EAAT Exhibition.
image (2025-03-19).
Pulses by Josephine Sales
Artist: EAAT Exhibition.
video (2025-03-20).
Rescue, Josephine Sales
Artist: EAAT Exhibition.
image (2025-03-19).
Shelf 1, Pain Pals by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Entrance to EAAT
Artist: EAAT Exhibition.
image (2025-03-19).
Tactile gallery map of E.A.A.T.
Artist: EAAT Exhibition.
image (2025-03-19).
Still of projection from Song without Words.
Artist: EAAT Exhibition.
image (2023-09-30).
Small Chandelier, Babel by Meesh Fradkin
Artist: EAAT Exhibition.
image (2025-03-19).
Table with joystick controller, Unseen Sound by Andy Slater
Artist: EAAT Exhibition.
image (2025-03-19).
Shelf 4, Pain Pals by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Carmen Papalia’s Pain Pals
Artist: EAAT Exhibition.
image (2023-09-30).
Close-up of Meesh Fradkin’s babbel.
Artist: EAAT Exhibition.
image (2023-09-30).
Shelf 3, Pain Pals by Carmen Papalia
Artist: EAAT Exhibition.
image (2025-03-19).
Tactile gallery map
Artist: EAAT Exhibition.
image (2023-09-30).
babbling by Meesh Sara Fradkin (video 2)
Artist: EAAT Exhibition.
video (2025-03-20).
Meesh Fradkin’s voice-activated sculpture babbel
Artist: EAAT Exhibition.
image (2023-09-30).
Notes
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This content is reproduced from the E.A.A.T website prepared by Leonardo ↩︎
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The Experiments in Art, Access & Technology (E.A.A.T.) Website can be found at https://leonardo.info/criptech/eaat/ ↩︎