This site organizes and aggregates a wide range of media content — from images to 3D scans, from video to interviews — that represents the processes, practices and outcomes of artists who took part in Leonardo’s CripTech Incubator. The collection items are donated by the artists themselves, by Leonardo/ISAST and the Beall Center for Art and Technology, and captured from public events, exhibitions, and activities surrounding the Incubator.

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Browse the Artifacts

Projected in white onto translucent black fabric, a spray of letters pattern the blurry image of a piano player.

Still from Song without Words. Olivia Ting

Artist: EAAT Exhibition.
image (2023-09-30).

Multi-tiered suspended wooden chandelier with plastic tubes spilling outwards over the sides. There are four speakers and two microphones integrated into the sculpture.

Close-up of central chandelier in Meesh Fradkin’s babbel.

Artist: EAAT Exhibition.
image (2023-09-30).

Wooden disk with tubes hanging off of it. A metal rod passes through the middle. In the background, blurred, are two monitors with a human figure.

Close-up of Meesh Fradkin’s babbel.

Artist: EAAT Exhibition.
image (2023-09-30).

An image displaying a musical note in black on a pale blue background to denote an audio file.

Unseen Sound Sketch (8 mins)

Artist: Andy Slater.
audio (2023-09-17).

An image displaying a musical note in black on a pale blue background to denote an audio file.

breathing out smoke (Binaural Mix)

Artist: Andy Slater.
audio (2020-05-19).

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
image

Blurred image of the dynamic movement of an unrecognizable subject in black clothing against a dark background. Abstract black and white image with blurred illumination that resembles the curvature of a human figure in a dynamic pose, extending movements into gesture calligraphy.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
image

5 sculptures, wooden frames threaded with masses of tubes hang from a ceiling grid framed by white gallery walls and white furniture. There screens are mounted on the back wall.

Wide shot, Meesh Fradkin’s babbel.

Artist: EAAT Exhibition.
image (2023-09-30).

Chart of musical dynamics notation with terminology, symbols, and descriptions, including piano (p) meaning soft, pianissimo (pp) meaning very soft, forte (f) meaning loud, fortissimo (ff) meaning very loud, mezzo piano (mp) meaning medium soft, mezzo forte (mf) meaning medium loud, crescendo (cresc.) meaning gradually louder, and diminuendo (dim.) meaning gradually softer.

Dynamic Notation Chart

Artist: Olivia Ting.
image

A chart with musical rest symbols, showing whole, half, quarter, eighth, sixteenth, thirty-second, and sixty-fourth rests with their corresponding fractional values and alternative names: semibreve, minim, crotchet, quaver, semiquaver, demisemiquaver, and hemidemisemiquaver rests respectively. The rest symbols are depicted on a musical staff to the right side of their names and values.

music-rests-symbols-and-lengths-american-and-british-english-labeling-interval-of-silence-in-a-piece-of-music-marked-by-a-symbol

Artist: Olivia Ting.
image

A phonemic chart with two main sections labeled "vowels" and "consonants." The vowels are further classified into monophthongs and diphthongs. Each phoneme is represented by its International Phonetic Alphabet (IPA) symbol, a keyword to aid pronunciation, and color-coded boxes indicating voiced (yellow) and unvoiced (gray) sounds. The consonants section includes examples such as 'p' for 'pea,' 'f' for 'fly,' and 'm' for 'man.' The chart also notes it's based on Received Pronunciation and is an adaptation of the popular Adrian Underhill layout.

English-Phonemic-Chart

Artist: Olivia Ting.
image

A collage of educational charts including musical dynamics, a phonemic chart with examples, and music rest symbols with corresponding fractional values.

Phonemes and dynamics . ai

Artist: Olivia Ting.
image

Piano as a body

Artist: Olivia Ting.
animated_image

Piano as a body

Artist: Olivia Ting.
image

1st movement B_5.10.23

Artist: Olivia Ting.
video

1stmvmt_projection test

Artist: Olivia Ting.
video

panels_walking through projection

Artist: Olivia Ting.
video

Justin_walkthru

Artist: Olivia Ting.
video

IMG_0175

Artist: Olivia Ting.
video

IMG_0176

Artist: Olivia Ting.
video

2nd movement_5.10.23

Artist: Olivia Ting.
video

2ndmvmt projection test

Artist: Olivia Ting.
video

3rd mvmt_3.07.23_sign+conductB

Artist: Olivia Ting.
video

3rd mvmt_Ode_to_Joy projection test

Artist: Olivia Ting.
video

Close-up photo of a person's hands holding a black circular electronic device with a cable,with silver text against a black background which reads “DAYTONAUDIO” in uppercase with a logo of an arch consisting of 3 lines, and below that black text against a silver background reading “DAEX58FP,” “8 ohm/25W,” and “Made in China.” .

Transducer_1

Artist: Olivia Ting.
image

A photo of a Electronic Grove haptic motor module with a blue circuit board and a small round vibration motor soldered onto it, accompanied by a multicolored ribbon cable with a red, black, yellow, and white wire ending in a white plastic connector. The text below the photo reads, “Grove - Haptic motor is a Grove module integrated with DRV2605L which will give your project more feelings. This motor is specially designed for various effects, such as to ramp the vibration level up and down, for wearable and IoT devices. Right we have developed an easy-to-use library which can simulate 123 kinds of vibrating models in total and this will make your prototyping very quickly. Also, you can develop more advanced functions with the driver DRV2605L which improves actuator performance in terms of acceleration consistency, starting time, and brake time and is accessible through a shared I2C compatible bus or PWM input signal.

Grove Haptic Motor

Artist: Olivia Ting.
image

Room with a circular table against the back wall. A chair sits in front of the table, facing the wall. A large monitor displays text “Some of them will be loud and some of them will be quiet” Across from the monitor is a short bench.

Unseen Sound by Andy Slater 

Artist: EAAT Exhibition.
image (2023-09-30).

Illustration showing the conceptual design process of a wearable interface, including three stages of the prototype from a flat fabric with a U-shaped cut-out to a notional haptic interface with a wrinkled texture. Lower portion shows the item as worn by a user with the fabric draped over the back and front, and one version suggests "tabs" that wrap around the neck possibly secured with velcro.

Wearable prototype substrate

Artist: Olivia Ting.
image

Helen Keller’s connection through radio

Artist: Olivia Ting.
image

An open green plastic box containing electronic components including a breadboard with various wires and a Raspberry Pi computer. The box lid is on the right, and it's designed with circular indentations. The setup appears to be in progress with cables not fully organized.

“sonic hack” Spatially designated layers of sound

Artist: Olivia Ting.
image

Diagram showing overlapping areas labeled "tinnitus area" and "nerve activity area" with two points marked as P1 and P2. The diagram includes measurements, with dashed lines indicating different distances: 20 feet at the top, 15 feet on the right, and a scale of 0.5 inches equaling 1 foot at the bottom left. The areas are represented with dotted circles within a large shaded polygon.

“sonic hack” Spatially designated layers of sound

Artist: Olivia Ting.
image

2.Justin_proximitysound

Artist: Olivia Ting.
video

image

Artist: Olivia Ting.
image

Interior of a dimly lit exhibition space with glossy concrete floors, dark painted walls, and an exposed ceiling structure. On the left, a set of screens display images, casting light on the floor.

interior of beall

Artist: Olivia Ting.
image

Red floor plan drawing of a building layout with labeled dimensions, including a marked "Main Entrance", on a white background. The plan shows various walls and rooms outlined with measurements given in feet and inches.

floor plan of beall

Artist: Olivia Ting.
image

A detailed plan of the Beall Art Center Exhibition Space featuring dimensions, layout of walls, and notes regarding potential placement of objects and partitions such as scrims, tables, and the separation of space. Main entrance and entry point are labeled, with various measurements annotated in feet and inches. The plan is shown in gray on a white background with red outlines and text.

OliviaTing_space schematic2C

Artist: Olivia Ting.
image

Visitor with pale hands is interacting with a joystick and buttons on a controller. There is a headphone amp with lights on directly in front of the controller. To the left of the controller is a QR code. 

Visitor manipulates joystick interface in Unseen Sound

Artist: EAAT Exhibition.
image (2023-09-30).

Three diagrams depicting movement through space with marked dimensions and annotations, including references to '1st MVMNT' and '2nd MVMNT' in the top two, and '3rd MVMNT' in the larger bottom diagram. Annotated text on the bottom diagram explains that the '3RD MVMNT utilizes haptic objects for visitors to navigate "sensation" of sound as they spatially explore a space that has no audial playback.' Each diagram shows a dashed outline of a room with shaded areas indicating movement paths.

OliviaTing_space schematic2B

Artist: Olivia Ting.
image

An image displaying a musical note in black on a pale blue background to denote an audio file.

Ting McLain Reflection 03mar23

Artist: Olivia Ting.
audio

Total Running Time Site

Artist: Josephine Sales.
embed (2023-12-01T00:00:00.000-05:00 -> 2023-12-31T00:00:00.000-05:00).

Lip Reading - Interactive Flowchart

Artist: Olivia Ting.
embed (2023-12-01T00:00:00.000-05:00 -> 2023-12-31T00:00:00.000-05:00).

Total Running Time, a multisensory installation encompassing four works by Josephine Sales 

Total Running Time by Josephine Sales 

Artist: EAAT Exhibition.
image (2023-09-30).

The exterior of the Beall Center for Art and Technology, where the exhibition is taking place. The building's bright red facade prominently displays raised metallic lettering reading "Don and Joan Beall Center for Art and Technology" along with the street number 712. Above, a large blue banner for the "E.A.A.T." exhibition is affixed to the wall.The entrance to an exhibition space has bold red double doors opened to reveal a dark blue wall inside. The exhibition is titled "E.A.A.T.: Experiments in Art, Access & Technology", running from September 30, 2023, to January 13, 2024. The large text on the wall introduces the exhibition. The wall features a modern, minimal design with blue-green typography and a waveform graphic at the bottom. A smaller informational sign is mounted on the right red door.

Entrance to EAAT

Artist: EAAT Exhibition.
image (2025-03-19).

Tactile gallery map of the E.A.A.T. Space. Left side of the sheet has the key and description of what tactile elements are present. On the right is the actual tactile map of the gallery space, which outlines seating, tables and locations of each artist's installation.

Tactile gallery map of E.A.A.T.

Artist: EAAT Exhibition.
image (2025-03-19).

A printed sign taped to a white wall at the entrance to the E.A.A.T. exhibition . The sign has a light green background and features a large, bold title in black text: "WHY MASK?" Below the title, smaller black text reads: "Access this art using your phone." Above the title, there is a QR code, accompanied by a small curved arrow pointing to it, indicating that scanning it will provide access to the artwork. In the bottom right corner, there is a circular label with black text that reads: "by Claudia Alick".The sign is neatly taped, with the blue tape forming a frame around its edges.

Why Mask Sign and QR Code

Artist: EAAT Exhibition.
image (2025-03-19).

Day for Night - Light Changes, Josephine Sales

Artist: EAAT Exhibition.
image (2025-03-19).

A light box against a dark background. One half is emitting a bright amber glow resembling dawn’s warmer orange light. The other half is a cool white light.

Day for Night, Josephine Sales 

Artist: EAAT Exhibition.
image (2023-09-30).

Rescue, Josephine Sales

Artist: EAAT Exhibition.
image (2025-03-19).

Babel's access station, Meesh Fradkin

Artist: EAAT Exhibition.
image (2025-03-19).

A Behringer C-2 condenser microphone is mounted on a wooden platform, surrounded by a dense network of clear plastic tubes. The microphone is securely fixed, with a black XLR cable running downward from its base. The wooden platform is supported by vertical rods and has various tubes weaving through and around it, some clamped with small red fasteners. The background is softly blurred, with warm ambient lighting casting reflections on the tubes, creating a sense of depth.

Microphone within the central chandelier, Babel by Meesh Fradkin

Artist: EAAT Exhibition.
image (2025-03-19).

Wooden disk with tubes hanging off of it. A metal rod passes through the middle. In the background, blurred, are two monitors with a human figure.

Small Chandelier, Babel by Meesh Fradkin

Artist: EAAT Exhibition.
image (2025-03-19).

Three pairs of black wireless headphones ist on individual charging docks on a white table against a plain white wall. The headphone are available for visitors to experience Olivia Ting's Song without Words. Each dock has a blue LED indicator light, suggesting that the headphones are powered on or charging. The headphones are identical in design, with padded ear cups and an adjustable headband. Several black cables run along the back of the table, connecting the docks to a power source.

Three bluetooth headphones, Song Without Words by Olivia Ting

Artist: EAAT Exhibition.
image (2025-03-19).

A vintage wooden radio casing is displayed on a white pedestal. The back panel of the radio is removed, exposing its internal electronic components, including metallic boxes, wiring, and a circular tuning mechanism. The wooden casing has a curved design with horizontal grooves along the interior, showing signs of age and wear. There are small labels and markings on the internal components, including a serial code (2076112) and other technical specifications, suggesting that this is an authentic historical piece. Handwritten markings are visible on the bottom wooden edge of the radio. The background consists of a softly lit exhibition space with translucent black curtains

Vintage radio open at the back, Song Without Words by Olivia Ting

Artist: EAAT Exhibition.
image (2025-03-19).

The image features a dark floating shelf mounted on a white wall, displaying a mix of books, self-care items, and personal essentials. On the left side, a green folded shirt rests beside a book titled Sea and Fog by Etel Adnan. Next to it, four comic books are standing upright: Daredevil: No Fear, Thor: Ragnarok, Astonishing X-Men, and The Walking Dead.To the right of the books, there is a fabric-covered tissue box with a red and green plaid pattern. Further right, personal care items are arranged, including a green glass cup with a straw, a bottle of eucalyptus massage oil, a container labeled Simple Blossom, a dropper bottle of glycogen supplement, and a bottle of Aveeno Stress Relief lotion.

Shelf 1, Pain Pals by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

The image features a dark floating shelf mounted on a white wall, containing various self-care and comfort items. On the left side, there is a blue gel ice pack with black straps, stacked on top of folded soft fabric, including a white plush item and dark-colored clothing.In the center, there are two red bags of Maynards Wine Gums and a small blue tin with sewing needles and thread. Behind them, there's a pack of Dandelion Leaf & Root Tea. To the right, there are multiple boxes of Welly bandages in pastel-colored packaging.Further right, there is a soft navy blue sock, a green spiky massage ball, a small box of matches, and a red pouch with a translucent pink object on top. Above this shelf, another floating shelf is visible, holding personal care items, including massage oil and supplements.

Shelf 2, Pain Pals by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

The image features a dark floating shelf mounted on a white wall, holding a variety of health and wellness products. Items on the shelf include Emergen-C vitamin C packets in tangerine flavor, a carton of Pacific Foods Organic Butternut Squash Soup, a container of Green Superfoods Collagen, a bottle of Magnesium Bisglycinate, and a brown paper bag labeled Nettle Leaves Cut & Sifted. To the right of these items, there is a black orthopedic or posture support brace. Next to it, there are two neatly folded fabric items with colorful patterns, one in blue swirls and the other in a pink and white design.

Shelf 3, Pain Pals by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

The image features a dark floating shelf mounted on a white wall, holding an assortment of personal and comfort items. On the left side of the shelf, there are handwork embroidery kits in clear plastic packaging, a pair of embroidery scissors, and a wooden embroidery hoop. Next to them, there's a small orange container labeled "Poem", a white box labeled "Cedar", and a tall canister of American Select Champion cue chalk with the lid open.In the center of the shelf sits a small pink plush toy resembling a fluffy creature with a neutral facial expression. To the right, there is a large collection of Haribo gummy candy packs, stacked in various colors and flavors.

Shelf 4, Pain Pals by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

Projected in white onto translucent black fabric, the words “Beethoven listened with his teeth” are written against a blurry image of a piano.

Still from Song without Words, by Olivia Ting

Artist: EAAT Exhibition.
image (2023-09-30).

A tablet mounted on a stand, displaying a website called "Weather for the Blind." The screen features a blue-toned interface with a streaming audio player and descriptive text explaining the project, which appears to involve sonifying weather data. A pair of black Sony headphones is hooked over the top-right corner of the tablet, with their cable hanging down and plugged into the device. The stand holding the tablet has a metal arm extending behind it, and a headphone jack cable is visibly connected to the top left of the tablet. The background is a neutral-colored wall. The lighting is soft and even, highlighting the screen's content without harsh reflections.

Weather for the Wind, Pain Pals by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

PC Laptop with character gallery creator. The gallery has a blue background and the top part of a globe. Includes a button to add character and view characters. At the bottom reads "Pal Pals Alpha Build v1.1.0 -- All rights reserved”

Pain Pals character gallery creator by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

The image shows a printed document titled "Pain Pals Survey" by Carmen Papalia on a dark wooden surface. The page contains a series of reflective questions about pain, self-care, support systems, and societal perspectives on pain. The text is structured with bullet points, each prompting the reader to consider aspects such as how they describe pain, what brings comfort, and what a supportive environment might look like. The document has a slight curl at the top left corner. The lighting casts a soft shadow on the right side, emphasizing the texture of the paper and the dark wood grain underneath. The text is printed in a clean, readable font, and the document appears to be part of a take-home exercise encouraging deep personal reflection.

Pain Pals Survey by Carmen Papalia

Artist: EAAT Exhibition.
image (2025-03-19).

Circular table with joystick and buttons on a controller. There is a headphone amp with lights on and a pair of headphones directly in front of the controller. To the left of the controller is a QR code.

Table with joystick controller, Unseen Sound by Andy Slater

Artist: EAAT Exhibition.
image (2025-03-19).

Pulses by Josephine Sales

Artist: EAAT Exhibition.
video (2025-03-20).

babbling by Meesh Sara Fradkin (video 2)

Artist: EAAT Exhibition.
video (2025-03-20).

babbling by Meesh Sara Fradkin (video 2)

Artist: EAAT Exhibition.
video (2025-03-20).

Tactile gallery map of the E.A.A.T. Space. Left side of the sheet has the key and description of what tactile elements are present. On the right is the actual tactile map of the gallery space, which outlines seating, tables and locations of each artist’s installation.

Tactile gallery map

Artist: EAAT Exhibition.
image (2023-09-30).

Pain Series 3, Carmen Papalia

Artist: EAAT Exhibition.
video (2025-03-20).

Pain Series 4, Carmen Papalia

Artist: EAAT Exhibition.
video (2025-03-20).

Virtual Walk through, Unseen Sound by Andy Slater

Artist: EAAT Exhibition.
video (2025-03-20).

Video by Thai Lu

Artist: Meesh Sara Fradkin.
video

Unseen Sound at the XR Access Symposium 2024

Artist: Andy Slater.
video (2024-07-24).

Song without Words Captioned

Artist: Olivia Ting.
video

babbling by Meesh Sara Fradkin (video 1)

Artist: Meesh Sara Fradkin.
video

babbling by Meesh Sara Fradkin (video 2)

Artist: Meesh Sara Fradkin.
video

Monitor in the center showcasing an X-ray image of a female body on a zoom call. At the bottom of the monitor hangs a pair of headphones that connect to the monitor. To the right are two wall text blurbs.

Monitor showing Carmen Papalia’s Pain Series 5

Artist: EAAT Exhibition.
image (2023-09-30).

A photo shows slightly worn black letters on white stickers, adhered to an industrial metal door: CENTRAL TIME CLOCK. Behind it, an inventory of Electronic and Mechanical Time Clocks, Biometric HandPunches, and other systems promises to “effectively manage employees and control labor costs.” This is a contemporary archive of how time became a unit of extraction. Beginning with the mechanical watch, time was abstracted from natural rhythms and reoriented to discipline bodies—making labor measurable, predictable, and exchangeable. The punch clock institutionalized this shift: one punched in, one punched out—marking the boundaries of compensated life. In Total Running Time, this infrastructure of control becomes a site of inquiry.

Central Time Clock

Artist: Josephine Sales.
image

An image shows a pale, off-white piece of sheet metal with decal residue faintly spelling the word “world.” Screws line the metal’s left edge, emphasizing its industrial, institutional quality. This subtle, worn surface echoes themes in Rescue, where the plaster relief is designed to blend almost imperceptibly into its architectural surroundings, reflecting on visibility, erasure, and the muted presence of institutional structures.

World 

Artist: Josephine Sales.
image

An image shows the rear door of an 18-wheeler trailer on the road. Black printed text, partially obscured by vertical frame bars, reads: “Time Shred Services Inc. Mobile Document Destruction, www.timeshred.com, 718 875-1200, 1800 989-8463.” This image evokes the concept of “shredding time,” linking the literal destruction of documents to the metaphorical fragmentation of temporal experience.

Time shred

Artist: Josephine Sales.
image

An image shows a white document featuring six rough waveform illustrations arranged two across and three down. Each waveform corresponds to a distinct sound explored in Pulses, part of the installation Total Running Time. The sounds include: [thump], [breathing], [ringing] short pulses with left/right delay, [touchtone], [triggering] operator, and [constant] voice 1—offering a visual map of the work’s sonic textures and rhythms.

Sonic study

Artist: Josephine Sales.
document

An image shows a smooth grey surface scattered with a pile of grey powder and transparent spherical beads of varying sizes. The beads appear to glow softly. This composition represents an early material exploration for Rescue, a shallow, floor-to-ceiling plaster relief that is part of the installation Total Running Time.

Rescue material study

Artist: Josephine Sales.
image

An image shows a video still with a solid gray background. Overlaid closed caption text, filled in yellow with a black outline, reads: “to refuse this call, press 2 [a slight crackle on the line].” This video is part of Total Running Time Site and represents another iteration of Pulses, exploring the interplay of captions and sound.

Pulses still

Artist: Josephine Sales.
image

An image depicts the side of a tan-colored building with the words “Power Generation” written in black across its face. Taken on the campus where the artworks will be exhibited, this image invites reflection on the multiple meanings of “generation”—not only as the production of electrical power but also as a concept linked to biopower, where control is exercised over bodies and populations. The building thus stands as a symbol connecting industrial energy systems to broader structures of social regulation and the management of life itself.

Power Generation

Artist: Josephine Sales.
image

A digital document titled “Mouser Electronics Standards on Slavery and Human Trafficking in the Supply Chain.” Sourced from the website of a materials supplier, the document outlines the company’s commitments and policies aimed at preventing slavery and human trafficking within their electronics sourcing and supply chain practices.

Mouser policy

Artist: Josephine Sales.
document

An image shows six photographs arranged on a piece of wood. Each photo features a large rectangular slab of ice placed in a sink or in front of a freezer. In the first two photographs, the ice slabs are bathed in a warm orange light, suggesting an early visual exploration for Day for Night, an artwork that employs two prepared 7,000 Kelvin circadian optic light panels commonly used to mimic natural sunlight.

Ice Light

Artist: Josephine Sales.
image

A photo shows a printed document titled “Jim Crow: Disability, Dis-Location, and the School-to-Prison Pipeline” placed beside a handwritten note reading, “haptics into wall??” accompanied by a small sketched rectangle. This image captures a moment in process—where research on the intersections of race, disability, and carcerality begins to shift toward a language of space and touch. It reveals a desire to make these systems not only visible but also felt, raising questions about how histories of exclusion and containment might be translated into touch.

Haptics in wall

Artist: Josephine Sales.
image

An image depicting a computer-generated node map visualizes 40 distinct AI response choices related to the Fourth Amendment. Each node represents a different path the AI, named Amelia, might take when responding to questions about search and seizure protections—rights that extend to incarcerated individuals, including in digital and telephonic communication. This map is documentation from research into Amelia’s decision-making framework and its entanglement with carceral technologies. The image is contextualized by the 2021 partnership between Securus Technologies—a major provider of prison phone services—and Amelia, an AI platform marketed as improving customer experience and organizational efficiency. Notably, in 2014, Securus experienced a breach involving over 70 million call records from incarcerated individuals across 37 states. This raises critical questions about how incarcerated people’s time on the phone may be repurposed to train or refine AI systems, linking surveillance, efficiency, and carceral labor under the guise of digital service.

Fourth Amendment AI

Artist: Josephine Sales.
document

An image shows white text on a dark blue background with a white border. The text reads: “One clock is inscribed ‘Past’ and ‘Imperfect.’ The other clock is inscribed ‘Future looks.’” This text, drawn from a 1986 sketchbook by Black disabled artist Donald Rodney, appears as a visual description entry in the research library of Total Running Time Site. A founding figure of Britain’s BLK Art Group, Rodney sketched during long hospital stays while living with sickle cell anemia and chronic pain. The recurring presence of clocks in his sketchbooks suggests an ongoing engagement with questions of duration, delay, and uncertainty. These sketches invite a reading through the lens of what disability scholars call crip time: a nonlinear, adaptive temporality shaped by debility, dependency, and interruption

Sketchbook 11, Sketch of Two Clocks, 1986 by Donald Rodney

Artist: Josephine Sales.
image

A dark-haired woman in a denim jumpsuit stands between two pedestals, gently resting her hands on two wooden vintage radios.

Visitor interaction with hacked vintage radios

Artist: EAAT Exhibition.
image (2023-09-30).

Piano hammers and a blurry image of a piano player are projected in white onto translucent black fabric.

Still of projection from Song without Words.

Artist: EAAT Exhibition.
image (2023-09-30).

Debrief Interview

Artist: Olivia Ting.
video

Abstract blurred image of a person in motion with a trail of letters from dynamic markings used in musical notation suggesting movement, set against a dark background with some regions illuminated in reddish hues.

Cover image: Song without Words

Artist: Olivia Ting.
image

Two wooden vintage radios on white pedestals. The one in the background stands vertical, the one in the foreground is wide with three knobs.

Vintage radios emitting haptic vibrations

Artist: EAAT Exhibition.
image (2023-09-30).

Voice comprehension flow chart (Vertical version)

Artist: Olivia Ting.
document

Voice comprehension flow chart (horizontal version)

Artist: Olivia Ting.
document

Piano as a body

Artist: Olivia Ting.
animated_image

Diagram of an architectural plan view showing a room with a scale indication of 0.5 inches equaling 1 foot. The room has a width of 20 feet and a height of 10 feet, with two points of interest labeled P1 and P2 on opposite ends. The space between P1 and P2 is highlighted, suggesting a path or line of sight, with obstructions depicted by shaded angular shapes within the room's outline.

Overhead view of proposed installation

Artist: Olivia Ting.
image

A schematic representation of a projection mapping setup showing two projectors labeled P1 and P2 projecting onto multiple panels with silhouettes of people observing in between the panels.

Side view of installation

Artist: Olivia Ting.
image

A dimly lit theater stage with translucent blue-tinted curtains hanging from above, some with yellow serif letters projected onto them. Performers are scattered on the stage, some standing and some seated on the floor, with one individual seated on a chair in the foreground to the right.

Set/video projection design: The Tip of My Tongue with David Herrera Performance Group at Z Space

Artist: Olivia Ting.
image

A line of five performers either kneeling or in the process of getting up to kneel on a dimly lift, amid vertical white banners displaying projected scattered text and closed captions reading “new student from Japan” in English and Japanese.

Set/video projection design: The Tip of My Tongue with David Herrera Performance Group at Z Space

Artist: Olivia Ting.
image

A person in a black outfit dancing with an expressive arm movement, raising their left hand, against a plain wooden background.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
image

A person with arms in motion stands in front of a wooden wall, wearing a black long-sleeved top, looking upwards to the left with pursed lips.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
image

A person in black attire is standing against a wooden wall with an expressive pose, arms raised and one leg slightly lifted, suggesting a dance or performance in motion.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
image

A dining table with four low white stools is positioned in front of a large wall-mounted screen.Floating black shelves with an assortment of self-care items bear a variety of items, including stuffed animals, snacks, pamphlets, heating pads, lotion, compression socks, Vitamin C packets, comic books. Against the gallery’s back wall is an L-shaped upholstered dark gray couch and a cozy robe. An iPad is mounted on a stand with headphones.

Carmen Papalia’s Pain Pals

Artist: EAAT Exhibition.
image (2023-09-30).

A person in a black turtleneck with arms spread in motion against a wooden wall looking to her left with a concerned expression.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
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Abstract black and white image with blurred illumination that resembles the curvature of a human figure in a dynamic pose with their vague shape of their hands and head visible, extending movements into gesture calligraphy.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
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Abstract black and white image with blurred illumination that resembles the curvature of a human figure in a dynamic pose raising their hands, extending movements into gesture calligraphy.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
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Abstract black and white image with blurry shapes, similar to smoke or ink dispersing in liquid, that resembles the curvature of a human figure in a dynamic pose, extending movements into gesture calligraphy.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
image

Abstract black and white image with blurred illumination that resembles the curvature of a human figure in a dynamic pose, extending movements into gesture calligraphy.

Extension of movements into gesture calligraphy

Artist: Olivia Ting.
image

A person standing against a black background with one hand raised in a waving gesture and a friendly expression on their face. They are wearing a black long-sleeved shirt.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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A person in black clothing appears to be using sign language against a dark background.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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Blurred image of a person against a black background, making it difficult to discern details.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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Blurred image of a person with raised hands against a black background, creating a ghostly effect.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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Person standing in front of a black background with their fists’ knuckles connected over their face, a white sign labeled in black reading "GARAGE SALE" situated at the bottom left and a blue sign with white text reading “408 243-REAL” in a dimly lit setting.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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Three visitors standing and one visitor sitting, looking at multiple multi-tiered suspended chandeliers threaded with plastic and rubber tubing.

Meesh Fradkin’s voice-activated sculpture babbel

Artist: EAAT Exhibition.
image (2023-09-30).

A person in black clothing with eyes closed and arms and hands outstretched in movement in a dark room.

Montaged with other images to form a visual conversation

Artist: Olivia Ting.
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Unseen Sound Documentation (Final Version)

Artist: Andy Slater.
video (2023-10-04).

Screenshot of a computer desktop displaying a web browser with a pop-up window for a software update of Keyboard Maestro and a website with instructions for navigating a virtual gallery titled "Unseen Sound" by Andy Slater. The website features keyboard and mouse control guides, volume adjustment, and options for a guestbook, screenshot, and catalog, as well as a chat interface indicating '2 friends online’ in the bottom left corner. The computer's taskbar is visible on the right side of the desktop, showing various application icons

Instructions for navigating Unseen Sound 2023-11-02 at 8.54.00 PM

Artist: Andy Slater.
image (2023-11-11).

A dark screen with a user interface for a digital environmentvirtual gallerytitled "Unseen Sound" by Andy Slater. The center of the screen shows instructions for movement using 'WASD' or arrow keys, looking around with the mouse, and accessing the menu with the escape key. There is a prompt at the top reading "Click anywhere to enter the gallery." Below the instructions are icons for a guestbook, screenshot tool, and catalog, as well as a slider to adjust art volume. In the bottom left corner, a chat interface shows "2 Friends Online" and a field to type messages.

Instructions for navigating Unseen Sound 2023-11-02 at 8.55.57 PM

Artist: Andy Slater.
image (2023-11-11).

A blonde haired woman and a brown haired woman stand together in the middle of the E.A.A.T. gallery space.

Curators at E.A.A.T

Artist: EAAT Exhibition.
image (2023-09-30).